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Pros.:- Smooth. Easy to play.- Some small Easter eggs.- Curious world.- Everything you want from the indie project.Cons.:- A bitPros.:- Smooth. Easy to play.- Some small Easter eggs.- Curious world.- Everything you want from the indie project.Cons.:- A bit off with the story at the beginning.Olija is an interesting yet underdeveloped game. The story could be told in a more fulfilling way. The levels could be more complicated. The puzzles more challenging. The game reminds of other indie projects, of tasks from other games and feels like the developers cut half of the content.Still, the game doesn't leave any negative feeling or emotions. And the last encounter with the boss is quite curious since you may feel like events in Olija are not the first time happening, that Faradey actually been there over and over again, and the vicious circle had repeated multiple times. Until he finally departed with Olija.

Olija is a fun and engrossing action-adventure game that has you fighting foes and solving puzzles with a magical harpoon. A little on the short side, but a fun experience that leaves you wanting more.

Olija feels unique, original and has a lot of charm to it. It’s abundantly clear it was created with a lot of love and care, and while the journey didn’t last as long as I’d hoped, I enjoyed every minute in the lands of Terraphage with Faraday.

The product of a one man team, Olija is a tight and entertaining seafarer’s voyage that manages to be memorable despite not bringing anything particularly revolutionary to the table. Instead, it’s in the atmosphere and tone that Olija excels, proving that the deep blue sea isn’t full of just terrors.

We hope that Skeleton Crew Studio will not stop at one game, and we'll learn the further story of relationships between Faraday and Olija in the sequel.

Overall Olija is a good game. I just wish it was longer. I finished a fair portion of the game in around 5 hours and I can’t imagine I would have spent much longer had I decided to get all the collectibles. However, I think $15 is the perfect price for Olija; I much rather have a short good game than a long mediocre one and being left wanting more is a much better problem to have than never wanting to touch a game again. Just know that Olija is a concise but strong experience and a great way to start off 2021.

Olija is a well-made and enjoyable action-adventure; lacking, however, of qualitative touches able to distinguish it from a tough competition. It remains, in any case, a well-made and enjoyable game.

Olija’s atmosphere is spot on and despite its huge pixels, the game manages to channel Hugo Pratt’s fabled Corto Maltese graphic novels that take place in similar exotic corners of the world. The gameplay also works most of the time, but as is often the case with indie games, the authoritarian developer has gone overboard. The less is usually more but here, the style simply went over the substance and 12 hours of playtime more than overstays its welcome considering the game's ultimately shallow bounty.

Olija enters a crowded genre and its gameplay does little to revolutionize the scene, but it still manages to stand out with a unique visual style that greatly contributes to its intriguing, atmospheric tone. Anyone interested in the story should go in blind, as a sense of mystery adds to the experience. The Devolver catalog has often curated the best in niche indie games, and Olija is another good addition for those looking for a unique, moody, maritime experience.

I was bowled over by the level of quality of all this one person has achieved. Olija is clearly Olsson's personal work, and its story, of Europeans lost in mysterious and frightening Eastern waters, in part reflects his own experience of moving from his birthplace in France to Japan to be with his wife. But I felt sometimes a disquieting air of orientalist fantasy, as we encounter an inscrutable culture headed by the beautiful Lady Olija, who we chase into submission. But I also loved the clash of rough and ready mariners facing a strange and terrible world of corrupted beauty. I only wish their voyage was a little longer.

Olija is a short-lived odyssey, and it would’ve been great if there were additional difficulties or any sort of incentive to replay its brief, four-hour campaign. But as a bite-sized 2D action adventure, it leaves a very strong impression thanks to a magical harpoon that makes fighting, moving, and discovering secrets especially rewarding. Its combat in particular packs a surprising amount of depth and flexibility, even if its enemies and bosses never really stepped up and demanded that I engage with that depth to defeat them. Much like Faraday himself, I don’t see myself ever returning to Olija’s mysterious world, but it’s an adventure I won’t soon forget.

Olija is more than just the sum of its parts. Its action-platform-with-a-bit-of-metrodavania formula is nothing new, like its art style or the mechanics made available by the mystic harpoon. But when every single part works in conjunction with the others, Olija becomes a super rewarding game, where puzzles make you feel smart and fights make you feel strong: not every game needs to be super difficult.

Olija's best asset, truly, is its brevity. Its story is impeccably paced. Its mechanics never wear out from overuse. From start to finish, it finds new ways to gently goad you into using the harpoon in different ways, until it says its piece. I was taken with how emotionally resonant and mechanically pleasing it could be in such a short time. Succinct and satisfying is a rare combination, and it makes Olija a rare treat.

Olija on Xbox is a game to be savoured. Everything about it is rich and expertly crafted, from the slick combat to the world of Terraphage, scattered with secrets. It’s over far too soon, so relish the experience while it’s there, as Olija is an astonishing adventure game that you can lose yourself in utterly.

Olija oozes originality, from its cinematic storytelling to its uniquely retro graphics and the genre-bending award-worthy soundtrack that ties it all together. And don’t forget about its fluid combat and exploration-focused gameplay that slowly introduces new mechanics that keep the game engaging and fun but at the same never letting it get too complex. For a while I put off engaging in what I believed to be the final encounter because I truly enjoyed my time in the game world and wanted it to continue. While watching the final cut scene I was not so secretly hoping my character would get dragged back into the land of Terraphage. I felt like there were still mysteries to discover; maybe there was another island hidden somewhere. I’ll definitely be playing through the game again at some point. The bottom line is Devolver Digital has another winner on its hands in Olija.